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Angelo Gilardino Net Postings 1998-2000
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Re: Cross string trills - cross string grace notes?
- To: "CG2 List" <cguitar-list@xxxxxxxxxx>
- Subject: Re: Cross string trills - cross string grace notes?
- From: "winter" <winter@xxxxxxxx>
- Date: Thu, 9 Apr 1998 11:39:39 +0200
-----Messaggio originale----- Data: giovedì 9 aprile 1998 10.01 Subject: Re: Cross string trills - cross string grace notes? Hi everyone. A repost - it seemed not to arrive last time... Funny how one thought stimulates another. Quite why seeing a train go by should remind me that I was playing Granado Danza Espanola 5 last night is beyond me, but I recall that I've heard two different interpretations of the A# to B slurs in bar one. One is the normal "hammer" and the other is to play the A# on string 6 and the B on string 5 both with the RH thumb, then release the left hand pressure a little on the A#. Though the notes start together, the premature end of the grace note gives the impression they are sequential. I suppose this technique, which I can't recall every being applied to any other piece, is nothing more than a very short cross-string trill! Regards Derek Hasted A.G. This is exactly what Segovia did in his transcription and recording of this piece. Angelo Gilardino Composer and editor Artistic director of the "Andrés Segovia" Foundation of Spain 13100 Vercelli Italia via Failla, 7 tel. e fax * 161 255346 email <winter@net4u.it> ---------- > De: winter <winter@net4u.it> > A: cguitar-list <cguitar-list@eskimo.com> > Asunto: Argentinian guitarist > Fecha: Miércoles 8 de Abril de 1998 15:32 > > In my town, a young and excellent composer, Fabio Grasso, lives. Last year, > he won a composition award in Buenos Aires, entitled to Alberto Ginastera, > with a sort of Concerto for Guitar and Orchestra entitled "Katoptroeidès". I > would like to write an article about this piece in a major Italian music > magazine, and I have got from Fabio (whom I know since when he was a > prodigy child as a pianist) the score and a copy of the recording of the > first performance of this piece of his (Teatro Colon, Buenos Aires, November > 24th, 1997, with the Philarmonic Orchestra, conductor Bruno D'Astoli), but I > lack an essential information: the name of the soloist who was on the hot > seat on that occasion. Fabio does not know this name, and I have no idea of > how to get it, except posting this message, with the hope that some > Argentinian members of this list were among the listeners of that "estreno", > or are informed about it anyway. > > I apologize with all those who are not concerned with this event and I thank > in advance for any informations that might help me to help this younger and > promising fellow of mine. > > > Angelo Gilardino > Composer and editor > Artistic director > of the "Andrés Segovia" Foundation of Spain > 13100 Vercelli > Italia > via Failla, 7 > tel. e fax * 161 255346 > email <winter@net4u.it> >
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